Despite the length of this list, it is far from complete. I will gradually add additional entries. After important references are discussed in a post, summaries of those discussions will subsequently be added as annotations to their respective listings in this bibliography.

Acosta Báez, Francisco. “Danza de los negritos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 112–114. Mexico City, Mexico: CONACULTA, 2005.

Acosta Báez, Francisco, and Zeferino Gaona Vega “Danza de San Miguelitos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 94–102. Mexico City, Mexico: CONACULTA, 2005.

Acosta Báez, Francisco, and Zeferino Gaona Vega “Danza de voladores de la sierra.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 38–42. Mexico City: CONACULTA, 2005.

Adams, Richard N., and Arthur J. Rubel. “Sickness and Social Relations.” In Handbook of Middle American Indians. Vol. 6, Social Anthropology, 333–356. Austin: University of Texas Press, 1967.

Aguilera Madero, Rocio. “Danza de los negritos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 117–120. Mexico City, Mexico: CONACULTA, 2005.

Aguilera Madero, Rocio. “Negritos de la costa.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 121–123. Mexico City, Mexico: CONACULTA, 2005.

Aguilera Madero, Rocio, and Carlos Márquez Hernández. “Carnaval en Joloapan.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 168–169. Mexico City, Mexico: CONACULTA, 2005.

Aguilera Madero, Rocio, and Onésimo Cano González. “La danza ritual del volador.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 34–37. Mexico City, Mexico: CONACULTA, 2005.

Alberto Popoca, Juan. “La danza de quetzales.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 49–51. Mexico City, Mexico: CONACULTA, 2005.

Almada, Francisco R. Diccionario de Historia, Geografía y Bibliografía Sonorenses. Hermosillo: Gobierno del Estado de Sonora, 1983.

Álvarez Boada, Manuel. “Danza de moros y españoles.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 83–84. Mexico City, Mexico: CONACULTA, 2005.

Álvarez Boada, Manuel. “Danza de santiagueros.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 90–91. Mexico City, Mexico: CONACULTA, 2005.

Andrade, Mary J. Day of the Dead in Mexico: Through the Eyes of the Soul. San José, California: La Oferta Review, 2001.

Arizpe Schlosser, Lourdes, and Vera B. Kandt. “La Sierra de Puebla.” Artes de Mexico XIX, no. 155 (1972).

Azpeitia, Rafael Carillo, et al. Lo Efímero y Eterno del Arte Popular Mexicano, vol. II. Mexico City, Mexico: Fondo Editorial de la Plastica Mexicana, 1971.

Bello Pérez, Miguel Ángel. Crónicas De Hueytamalco Y La Region. Puebla: Unidad Regional Puebla de Culturas Populares y Indígenas, 2004.

Beals, Ralph L. The Aboriginal Culture of the Cáhita Indians. Ibero-Americana 19, Berkeley and Los Angeles: University of California Press, 1943.

Beals, Ralph L. The Contemporary Culture of the Cáhita Indians. Bureau of American Ethnology Bulletin 142. Washington, DC: Government Printing Office, 1945.

Beals, Ralph L and Elsie Clews Parsons. “The Sacred Clowns of the Pueblo and Mayo–Yaqui Indians.” American Anthropologist, Vol. 36, No.4, 491-514. October–December, 1934.

Beck, Peggy V. and Anna L. Walters. The Sacred: Ways of Knowledge, Sources of Life. Tsaile, Arizona: Navajo Community College Press, 1977.

Bennett, Wendell c> and Robert M. Zingg. The Tarahumara: An Indian Tribe of Northern Mexico. Glorieta, New Mexico: The Rio Grande Press, Inc, 1976.

Bello Pérez, Miguel Ángel. Crónicas De Hueytamalco Y La Region. Puebla: Unidad Regional Puebla de Culturas Populares y Indígenas, 2004.

Bogan, Phebe M. Yaqui Indian Dances. Tucson: The Archeological Society, 1925.

Bowen, Thomas and Edward Moser. “Material and Functional Aspects of Seri Instrumental Music.” The Kiva, Vol. 35, No.4, 178-200. April, 1970.

Campbell, Joseph with Bill Moyers. The Power of Myth. New York: Doubleday, 1988.

Campbell, Joseph. The Way of the Animal Powers: Part 1: Mythologies of the Primitive Hunters and Gatherers. New York: Harper and Row, 1988.

Carillo Azpeitia, Rafael et al. Lo Efímero y Eterno del Arte Popular Mexicano, vol. II. Mexico City: Fondo Editorial de la Plastica Mexicana, 1971.

Caso, Alfonso, Miguel Covarrubias, Adolfo Best Maugard, and Salvador Toscano. Máscaras Mexicanas: 2a exposición de la Sociedad de Arte Moderno, Mexico, enero de 1945. Mexico City: Sociedad de Arte Moderno, 1945.

Cassidy, Joseph L. Mexico: Land of Mary’s Wonders. Paterson, New Jersey: St. Anthony Guild Press, 1958.

Castaneda, Carlos. The Teachings of Don Juan: A Yaqui Way of Knowledge. Deluxe 30th Aniversary Edition with a new commentary by the Author. Berkeley: University of California Press, 1998.

Cerdeño Lance, Alejandra. El Arte de Ser Totonaca. Veracruz: Gobierno del Estado de Veracruz, 2009.

Cervantes, Fernando. The Devil in the New World: The Impact of Diabolism in New Spain. New Haven, Connecticut: Yale University Press, 1994.

Champe, Flavia Waters. The Matachines Dance of the Upper Rio Grande: History, Music, and Choreography. Lincoln: University of Nebraska Press, 1983.

Clavigero, Francisco Javier. Historia Antigua de México. Cesena, Italy: 1780–1781.

Cordry, Donald. Mexican Masks. Austin: University of Texas Press, 1980.

Cordry, Donald Bush, and Dorothy M. Cordry. “Costumes and Textiles of the Aztec Indians of the Cuetzalán Region, Puebla, Mexico.” In Southwest Museum Papers, No. 14. Los Angeles, California: Southwest Museum, 1940.

Cordry, Donald, and Dorothy Cordry. Mexican Indian Costumes. Austin: University of Texas Press, 1968.

Croda León, Rubén. Entre los hombres y las Deidades: Las Danzas del Totonacapan. Mexico City, Mexico: CONACULTA, 2005.

Croda León, Rubén. “Danza de los guaguas.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 57–60. Mexico City, Mexico: CONACULTA, 2005.

Croda León, Rubén. “Danza del volador. Leyenda totonaca.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 27–28. Mexico City, Mexico: CONACULTA, 2005.

Croda León, Rubén. “El matarachín y los viejos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 149–152. Mexico City, Mexico: CONACULTA, 2005.

Croda León, Rubén, and Domingo Francisco Velasco. “Danza de tejoneros.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 70–73. Mexico City, Mexico: CONACULTA, 2005.

Croda León, Rubén, and Francisco Acosta Báez. “Introducción.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 17–22. Mexico City, Mexico: CONACULTA, 2005.

de la Peña, Guillermo. “Fiestas de Tastoanes.” Revista Artes de México. Zapopan 60 (2001): 54–64, 79–80.

de Mille, Richard. Castaneda’s Journey: the power and the allegory. Santa Barbara: Capra Press, 1976.

de Mille, Richard. The Don Juan Papers: Further Castaneda Controversies. Santa Barbara: Ross-Erikson Publishers, 1980.

Dow, James. “Sierra Otomí Carnival Dances.” In Behind the Mask in Mexico, edited by Janet Brody Esser, 172–189. Santa Fe, New Mexico: Museum of International Folk Art and Museum of New Mexico Press, 1988.

Dunn, Harry H. “the Dancers of Yaquiland”. Wide World Magazine, 477-482. March 1911.

Durán, Fray Diego. Book of the Gods and Rites and the Ancient Calendar, trans. and eds. Fernando Horcasitas and Doris Heyden. Norman: University of Oklahoma Press, 1971.

Durkheim, Emile. The Elementary Forms of the Religious Life. New York: The Free Press, 1965.

Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. New York: Harcourt, Brace & World, Inc., 1959.

Erickson, Kirstin C. Yaqui Homeland and Homeplace: The Everyday Production of Ethnic Identity. Tucson: The University of Arizona Press, 2008.

Espinosa, Aurelio M. The Folklore of Spain in the American Southwest, edited by J. Manuel Espinosa. Norman: University of Oklahoma Press, 1985.

Esser, Janet Brody. Winter Ceremonial Masks of the Tarascan Sierra, Michoacan, Mexico, 2 parts. Ann Arbor, Michigan: University Microfilms, 1978.

Esser, Janet Brody. Máscaras Ceremoniales de los Tarascos de la Sierra de Michoacán. Mexico City, Mexico: Instituto Nacional Indigenista, 1984.

Esser, Janet Brody, ed. Behind the Mask in Mexico. Santa Fe: Museum of International Folk Art and Museum of New Mexico Press, 1988.

Evers, Larry and Felipe S. Molina. Yaqui Deer Songs/Maso Bwikam: A Native American Poetry. Tucson: University of Arizona Press, 1990.

Evers, Larry and Felipe S. Molina. Wo’I Bwikam: Coyote Songs. Tucson: Chax Press, 1990.

Fabila, Alfonso. Las Tribus Yaquis de Sonora. Mexico: Primer Congreso Indigenista Interamericano, Departamento de Asuntos Indígenas, 1940.

Fagan, Brian M. The Great Journey: The Peopling of Ancient America. New York: Thames and Hudson, 1987.

Felger, Richard Stephen, Matthew Brian Johnson and Michael Francis Wilson. The Trees of Sonora. New York: Oxford University Press, 2001.

Felger, Richard Stephen and Bill Broyles. Dry Borders: Great Natural Reserves of the Sonoran Desert. Salt Lake City: University of Utah Press, 2007.

Ferguson, Erna. Fiesta in Mexico. New York, New York: Alfred A. Knopf, 1934.

Fernández de Calderón, Cándida, ed. Great Masters of Mexican Folk Art: From the Collection of Fomento Cultural Banamax. New York, New York: Harry N. Abrams, 1998.

Fisher, Karen. “The Yaqui Today: A People in Transition.” In Arizona Highways, Vol. 53, No. 4, 2–9, Cover 1–4. April, 1977.

Francisco Francisco, Salvador. “La danza de toreadores.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León. 109–110. Mexico City, Mexico: CONACULTA, 2005.

Francisco Francisco, Salvador. “Origen de la danza del volador.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León:25–26. Mexico City, Mexico: CONACULTA, 2005.

Francisco Velasco, Domingo. “Carnaval en Arroyo Florido.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 157–160 Mexico City, Mexico: CONACULTA, 2005.

Francisco Velasco, Domingo. “Danza de los toreadores.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, Edited by Rubén Croda León, 106–108 Mexico City, Mexico: CONACULTA, 2005.

Fuentes Aguilar, Luis. Regiones Naturales del Estado de Puebla. Mexico City: Universidad Nacional Autónoma de México,1972.

Furst, Peter T. “The Roots and Continuities of Shamanism.” artscanada, nos. 184-187, 33-60. December 1973/January 1974.

Furst, Peter. “Forward”. In Mexican Masks, by Donald Cordry, ix–xx. Austin: University of Texas Press, 1980.

Galinier, Jacques. The World Below: Body And Cosmos In Otomí Indian Ritual, translated by Phyllis Aronoff and Howard Scott. Boulder: University Press of Colorado, 2004.

Gaona Vega, Zeferino. “Danza de malintzin.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 78–79. Mexico City, Mexico: CONACULTA, 2005.

Gaona Vega, Zeferino, and Facunda Juárez Hernández. “La danza de lakapijkuyu en las posadas del municipio de Coxquihui, Ver.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 134–139. Mexico City, Mexico: CONACULTA, 2005.

Gaona Vega, Zeferino, and Francisco Acosta Báez. “Danza de los ormegas.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 85–87. Mexico City, Mexico: CONACULTA, 2005.

García Canclini, Néstor and Amparo Sevilla Villalobos. Morelia, Michoacan:Comite Editorial del Gobierno de Michoacan, 1985.

García García, Domingo. “La danza de los guaguas.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 52–54. Mexico City, Mexico: CONACULTA, 2005.

García García, Domingo. “Los negros.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 115–116. Mexico City, Mexico: CONACULTA, 2005.

García García, Domingo. “Los voladores.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 29–33. Mexico City, Mexico: CONACULTA, 2005.

Gavin, Antonio. Conversion de las tres potencias del alma, explicada en el primer sermon predicado a los muy nobles sennores congregados inteligentes en la lengua espannola. London: [Gale facsimile from original], 1716.

Geertz, Armin W. The Invention of Prophecy: Continuity and Meaning in Hopi Indian Religion. Berkeley: University of California Press, 1994.

Giddings, Ruth Warner. “Folk Literature of the Yaqui Indians.” M.A. Thesis. Tucson: University of Arizona, 1945. [Typed manuscript, no publisher]

Giddings, Ruth Warner. Yaqui Myths and Legends: Collected by Ruth Warner Giddings. Harry Behn, ed. Tucson: University of Arizona Press, 1959.

Gill, Sam D. Native American Religions: An Introduction. Belmont, California: Wadsworth Publishing Company, 1982.

Gillmor, Frances. “Symbolic Representation in Mexican Combat Plays.” In The Power of Symbols: Masks and Masquerades in the Americas, edited by N. Ross Crumrine and Marjorie Halpin, 102–110. Vancouver: University of British Columbia Press, 1983.

González Callado, María de los Ángeles, and Alejandra Cerdeño Lance. El Arte de Ser Totonaca. Veracruz, Mexico: Gobierno del Veracruz, 2009.

González Villalobos, Santano. Danzas y bailes tradicionales del estado de Guerrero. Mexico City, Mexico: CONACULTA, 2005.

Govers, Cora. Performing the Community: Representation, Ritual and Reciprocity in the Totonac Highlands of Mexico. New Brunswick, New Jersey: Transaction Publishers, 2006.

Griffith, James S. Rio Mayo Pascola Masks: A Study In Style. Ann Arbor, Michigan: University Microfilms, 1967.

Griffith, James S. “Cáhitan Pascola Masks.” The Kiva, Vol. 37, No.4, 185-198. Summer, 1972.

Griffith, James S. and Felipe S. Molina. Old Men of the Fiesta: An Introduction to the Pascola Arts. Phoenix, Arizona: Heard Museum, 1980.

Gust, Dodie. “Yaqui Carver Lets the Wood Guide His Work,” The Arizona Daily Star, November 24, 1984.

Gutiérrez, Electra, and Tonatiúh Gutiérrez.. Mexico Magico. Mexico City, Mexico: Salvat Editores, 1974.

Gutiérrez, Tonatiúh, and Electra L. Mompradé. Danzas y Bailes Populares. Mexico City, Mexico: Hermes, 1976.

Halpin, Marjorie. “Confronting Looking Glass Men: A Preliminary Examination of the mask.” In Ritual Symbolism and Ceremonialism in the Americas: Studies in Symbolic Anthropology, edited by N. Ross Crumrine. Occasional Publications in Anthropology, Ethnology Series 33:41–61. Greeley: Museum of Anthropology, University of Northern Colorado, 1979.

Harris, Max. Aztecs, Moors and Christians: Festivals of Reconquest in Mexico and Spain. Austin: University of Texas Press, 2000.

Harris, Max. Carnival and Other Christian Festivals: Folk Theology and Folk Performance. Austin: University of Texas Press, 2003.

Harris, Max. The Dialogical Theatre: Dramatizations of the Conquest of Mexico and the Question of the Other. New York, New York: St. Martin’s Press, 1993.

Harris, Max. “Moctezuma’s Daughter: The Role of Malinche in Mesoamerican Dance.” Journal of American Folklore 109, no. 432 (Spring 1996): 149–177.

Harvey, H. R., and Isabel Kelly. “The Totonac.” In Handbook of Middle American Indians. Vol. 8, Ethnology, Part Two, 638–681. Austin: University of Texas Press, 1969.

Hieb, Louis A. “Meaning and Mismeaning; Toward an Understanding of the Ritual Clown.” In New Perspectives on the Pueblos. Ed. Alfonso Ortiz, 163-195. Albuquerque; University of New Mexico Press, 1972.

Hernández Orea, Eva. “Carnaval en Cuyuxquihui.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 161–163. Mexico City, Mexico: CONACULTA, 2005.

Hernández Vázquez, Ygnacia. “Danza de quetzales.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 46–48. Mexico City, Mexico: CONACULTA, 2005.

Hernández Vázquez, Ygnacia. “La danza de lakapijkuyu.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 132–133. Mexico City, Mexico: CONACULTA, 2005.

Hernández Vázquez, Ygnacia. “La danza de matarachín.” In Entre los hombres y las Deidades: Las Danzas del Totonacapa, edited by Rubén Croda León, 130–131. Mexico City, Mexico: CONACULTA, 2005.

Hill, Jane H. “The Flower World of Old Uto-Aztecan.” In Journal of Anthropological Research, Vol.48, No. 2, 117–144, Summer, 1992.

Hill, Jane H. “Proto-Uto-Aztecan: A community of cultivators in central Mexico?” American Anthropologist, New Series, Vol.103, No. 4, 913–934, December, 2001.

Hill, Jane H. “New Evidence for a Mesoamerican homeland for Proto-Uto-Aztecan.” Letter. In PNAS, Vol.107, No. 11, E33, March 16, 2010.

Holden, William Curry, et al. “Studies of the Yaqui Indians of Sonora, Mexico.” Texas Technological College Bulletin, Scientific Series No 2, Vol. XII, No 1. Lubbock.1936.

Hovens, Pieter. American Indian Material Culture: The Ten Kate Collection, 1882-1888. Leiden: National Museum of Ethnology Leiden, 2010.

Hu-DeHart, Evelyn. Missionaries, Miners, and Indians: History of Spanish Contact With the Yaqui Indians of Northwestern New Spain, 1533–1820. Tucson, Arizona: University of Arizona Press, 1981.

Hu-DeHart, Evelyn. Yaqui Resistance and Survival: The Struggle for Land and Autonomy, 1821–1910. Madison Wisconsin: University of Wisconsin Press, 1984.

Ichon, Alain. La Religion des Totonaques de la Sierra. Paris, France: Centre National de la Recherche Scientifique, 1969.

Ichon, Alain. La Religion De Los Totonacas De La Sierra. Mexico City, Mexico: Instituto Nacional Indigenista, 1973.

Jacobson, Lori, and Donald E. Fritz. Changing Faces: Mexican Masks in Transition. McAllen, Texas: McAllen International Museum, 1985.

Jiménez Morales, Jacobo. “Relatrio de la danza de los negritos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 124–127. Mexico City, Mexico: CONACULTA, 2005.

Johnson, Jean B. The Opata: An Inland Tribe of Sonora. Albuquerque: The University of New Mexico Press, 1950.

Kaemlein, Wilma R. An Inventory of Southwestern American Indian Specimens in European Museums. Tucson: U. of Arizona Press, 1967.

Kelley, Jane Holden. Yaqui Women: Contemporary Histories. Lincoln: University of Nebraska Press, 1978.

Kessell, John L. Friars, Soldiers, and Reformers: Hispanic Arizona and the Sonoran Mission Frontier: 1767–1856. Tucson: U. of Arizona Press, 1976.

Kolaz, Thomas M. “Yaqui Pascola Masks From the Tucson Area.” American Indian Art Magazine, Vol. 11, No. 1, 38-45. Winter, 1985.

Kolaz, Thomas M. “Yoeme Pascola Masks From the Tucson Communities: A Look Back.” American Indian Art Magazine, Vol. 32, No. 3, 50-61. Summer, 2007.

Kurath, Gertrude P. “The Kinetic Ecology of Yaqui Dance Instrumentation.” Ethnomusicology, Vol. 10, No.1, 28-42. January, 1966.

Kurath, Gertrude P. “The Sena’asom Rattle of the Yaqui Indian Pascolas.” Ethnomusicology Vol. 10, No.1, 60-63.January, 1966.

Lane, Bruce. “The Making of The Tree of Life.” Quaker Theology 4, no. 2, issue 7 (Autumn 2002). http://www.quaker.org/quest/issue7-4-lane03.htm.

Lane, Bruce. The Tree of Life. In The Tree of Life: Three Films on Indian Mexico. Rochester, New York: Ethnoscope Film, 2005.

Lane, Bruce . The Tree of Knowledge. In The Tree of Life: Three Films on Indian Mexico. Rochester, New York: Ethnoscope Film, 2005.

Lane, Bruce. The Tree of Knowledge: English Text. http://www.docfilm.com/webpages/Mexico/TOK_txt.html.

Lane, Bruce. Notes on the Text of The Tree of Knowledge, http://www.docfilm.com/webpages/Mexico/TOK_notes.html.

Lechuga, Ruth. Máscaras Tradiciones de México. Mexico City, Mexico: Banco Nacional de Obras y Servicios Públicos, 1991.

Lechuga, Ruth D. “Mask Making in Guerrero.” In Behind the Mask in Mexico, edited by Janet Brody Esser, 214–243. Santa Fe: Museum of International Folk Art and Museum of New Mexico Press, 1988.

Lechuga, Ruth D., and Chloë Sayer. Mask Arts of Mexico. San Francisco, California: Thames and Hudson, 1994.

de León, Imelda. Calendario de Fiestas Populares. Mexico City, Mexico: Dirección General de Culturas Populares, 1988.

Leyenaar, Ted J. J. “Some Dances of the Nahuas and the Otomies of Sierra Norte de Puebla, Mexico.” In Behind the Mask in Mexico, edited by Janet Brody Esser, 190–213. Santa Fe: Museum of International Folk Art and Museum of New Mexico Press, 1988.

Lumholtz, Carl. Symbolism of the Huichol Indians: Memoirs of the AMNH V. 3, pt. 1, 1900.

Lumholtz, Carl. Unknown Mexico: A Record of Five Tears Exploration Among the Tribes of the Western Sierra Madre; in the Tierra Caliente of Tepic and Jalisco; and Among the Tarascans of Michoacan.. New York: Charles Scribner’s Sons, 1902.

Lumholtz, Carl. Decorative Art of the Huichol Indians: Memoirs of the AMNH V. III, pt. III, 1904.

Lumholtz, Carl. New Trails in Mexico. New York: Charles Scribner’s Sons, 1912.

Lutes, Steven V. Alcohol Use Among The Yaqui Indians Of Potam, Sonora, Mexico. Ann Arbor, Michigan: University Microfilms, 1977.

Lutes, Steven V. “The Mask and Magic of the Yaqui Paskola Clowns.” In The Power of Symbols: Masks and Masquerades in the Americas. Edited by N. Ross Crumrine and Marjorie Halpin, 80-92. Vancouver: University of British Columbia Press, 1983.

Madsen, William. “Religious Syncretism.” In Handbook of Middle American Indians. Vol. 6, Social Anthropology, 369–391. Austin: University of Texas Press, 1967.

Madsen, William. The Virgin’s Children: Life in an Aztec Village Today. Austin: University of Texas Press, 1960.

Mauldin, Barbara. Photographs by Ruth D. Lechuga. Tigers, Devils, and the Dance of Life: Masks of Mexico. Santa Fe: Museum of New Mexico Press, 1999.

Medina Jiménez, Alejandro. “Origen de la Danza de moros y españoles.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 80–82. Mexico City, Mexico: CONACULTA, 2005.

Medina Jiménez, Alejandro. “Origen de la Danza de los negros de plumaje.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 110–112. Mexico City, Mexico: CONACULTA, 2005.

Medina Jiménez, Alejandro. “Origen de la Danza del quetzal.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 43–45. Mexico City, Mexico: CONACULTA, 2005.

Medina Jiménez, Alejandro. “Origen de la Danza de San Miguelitos.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 92–93. Mexico City, Mexico: CONACULTA, 2005.

Medina Jiménez, Alejandro. “Origen de la Danza de tejoneros.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 63–67. Mexico City, Mexico: CONACULTA, 2005.

Medina Jiménez, Alejandro. “Rito ceremonial de la danza de tejoneros.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by Rubén Croda León, 68–69. Mexico City, Mexico: CONACULTA, 2005.

Méndez García, Sara. “Danza de los ‘Viejos’ o lakakgolo.” In Entre los hombres y las Deidades: Las Danzas del Totonacapa, edited by Rubén Croda León, 140–141. Mexico City, Mexico: CONACULTA, 2005.

Méndez García, Sara. “La danza de los huehues o carnavaleños.” In Entre los hombres y las Deidades: Las Danzas del Totonacapan, edited by. Rubén Croda León, 164–167. Mexico City, Mexico: CONACULTA, 2005.

Meltzer, David J. First Peoples in a New World: Colonizing Ice Age America. Berkeley: University of California Press, 2009.

Merrill, W. L., R. J. Hard, J. B. Mabry, G. F. Fritz, K. R. Adams, J. R. Roney, and A. C. MacWilliams. “The Diffusion of Maize to the Southwestern United States and its Impact.”  Proceedings of the National Academy of Sciences 106(50):21019-21026, December 15, 2009.

Miller, Virginia E., Dudley M. Varner, and Betty A. Brown. “The Tusked Negrito Mask of Oaxaca.” The Masterkey Vol. 49, No.2, 44-50. April–June, 1975.

Miller, Wick R. “Uto-Aztecan Languages.” In Handbook of North American Indians, Volume 10: Southwest, 113-124. Washington DC: Smithsonian Institution, 1983.

Molina, Felipe S. “Yoreme Pajko’ora Dance.” In Circle of Dance – October 6, 2012 through October 8, 2017 – The National Museum of the American Indian in New York. http://nmai.si.edu/exhibitions/circleofdance/yoreme.html.

Molina, Felipe S. and Larry Evers. “Muriel Thayer Painter’s ‘With Good Heart’: Two Views.” Journal of the Southwest, Vol. 29, No. 1, 96–101. Spring, 1987.

Molina, Felipe S. and Avertano Olivas, Rebecca Tapia, and Herminia Valenzuela. Wame Vatnataka Im Hohhoasukame/ The Ones Who Lived Here in the Beginning. Tucson: Pascua Yaqui Tribal Council, 2003.

Molina, Felipe S., Herminia Valenzuela, and David L. Shaul. Yoeme-English English-Yoeme Standard Dictionary: with a comprehensive grammar of Yoeme language. New York: Hippocrene Books, 1999.

Montenegro, Roberto, Xavier Villaurrutia, and Ramón Mena. Máscaras Mexicanas. Mexico City: Talleres graficos de la nacion, 1926.

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